1.0飄雅活藝https://www.craftsonpeel.wecreatelabs.com.hk/zh-hant/Crafts on Peel Staffhttps://www.craftsonpeel.wecreatelabs.com.hk/zh-hant/author/craftsonpeel_admin/輝夜 - 飄雅活藝rich600338<blockquote class="wp-embedded-content" data-secret="tAKUTCFpIF"><a href="https://www.craftsonpeel.wecreatelabs.com.hk/zh-hant/artwork/%e8%bc%9d%e5%a4%9c/">輝夜</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://www.craftsonpeel.wecreatelabs.com.hk/zh-hant/artwork/%e8%bc%9d%e5%a4%9c/embed/#?secret=tAKUTCFpIF" width="600" height="338" title="“輝夜” — 飄雅活藝" data-secret="tAKUTCFpIF" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script type="text/javascript">
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https://www.craftsonpeel.wecreatelabs.com.hk/wp-content/uploads/2025/12/GTL_4640.jpg20482048這件作品以卷軸畫的形式構建，描繪竹林夜色的場景，述說輝夜姬的傳說。這個日本民間故事以神秘少女輝夜的生命旅程為主軸——她最初被發現在竹莖中誕生，由竹工藝師撫養長大，故事深刻探討人與自然之間幽微的牽絆。不規則的竹細工技法交錯纏結，形成「陰」與「陽」的並置對話，在構圖上達到完美的平衡。透過紮作工藝的運用，塑造雲朵等具象元素的塑造，進一步藉由視覺敘事強化作品的迷人之處。西本有與謝旻蒑來自兩個截然不同的文化背景，在竹藝創作方面也各有千秋。西本有主要運用真竹，此竹種在日本資源豐富，以其節間細長而柔韌著稱，。他通常使用已除油去濕的真竹，但也會親自從竹林中採摘新鮮青竹，用於製作筷子等精緻的作品。與之相反，謝氏在香港採購的竹則比真竹更纖細，且習慣上保留了竹子本身的油分和水分進行工藝處理。此物料上的鮮明對比，為「工藝研修計劃」奠定了雙向交流的基礎。兩位工藝師都分別在對方的城市進行了駐留交流。